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ZVIZDAL [Chernobyl – so far so close] BERLIN Info about the Event
10 → 11 May 2018
Dates & Schedules
Thursday and Friday → 9.30
Price
7€ to 14€
Under 30 years old 5€
Under 18 years old 3€
Length
75 min
Age Rating
To be age rated by CCE
Location
Main Auditorium with rigged seating 
Additional Info

In Ukranian with Portuguese and English surtitles

Theatre

ZVIZDAL [Chernobyl – so far so close]
BERLIN

10 → 11 May 2018
Dates & Schedules
Thursday and Friday → 9.30
Price
7€ to 14€
Under 30 years old 5€
Under 18 years old 3€
Length
75 min
Age Rating
To be age rated by CCE
Location
Main Auditorium with rigged seating 
Additional Info

In Ukranian with Portuguese and English surtitles

Sinopsis

A cinematic portrait of two people who live in a ghost town. A story about loneliness and survival, as a consequence of the results of a failed atomic experiment.

In 1986, after the explosion at the Chernobyl nuclear power station, roughly 90 towns and villages around Pripyat were evacuated. 350,000 inhabitants abandoned their houses forever.

Pétro and Nadia, a couple in their sixties, born and bred in Zvizdal, refuse to be evacuated, preferring to stay in their home in what has become a ghost town. Everyone has left, all their friends and acquaintances. The ransacked houses testify to the vitality of the past. Now they are petrified places, overrun by nature. Their extreme lives provide them with the raw material for this show-installation-documentary.

Between 2011 and 2016, BERLIN requested special licences and took all the necessary precautions to visit Pétro and Nadia in the radioactive exclusion zone of Chernobyl, in an effort to portray the evolution of its history over the years. How is it possible to bear so many years of isolation? Why does someone insist on living forever in self-imposed exile, in a place that was transformed into a repository of nuclear fuel, isolated from all forms of social contact, and under the invisible, but real threat of radioactivity? There is no running water, no electricity, no telephone or post, but there are superstitions, vodka, personal beliefs, swearing, singing, toothache and the problems that come with old age. How can one live with just one other person as company, a cow, an old horse, a cat, a dog and some hens?

Zvizdal takes us through the flow of the seasons and provides us with a portrait of loneliness, survival, poverty, hope and love between two people, now aged over eighty, who live surrounded by colourless, odourless, but omnipresent radiation. Their story is told in theatre and film on a large screen, with two sides and three rotating scale models that become our window onto the small world of this couple.

Related Content

Graphic Material Berlin poster 07 May 2018

Creative Credits

With
Nadia, Pétro Opanassovitch Lubenoc

Conception
Bart Baele, Yves Degryse, Cathy Blisson

Set design
Manu Siebens, Ina Peeters, BERLIN

Interviews
Yves Degryse, Cathy Blisson

Camera and editing
Bart Baele, Geert De Vleesschauwer

Sound recordings
Toon Meuris, Bas de Caluwé, Manu Siebens, Karel Verstreken

Translation
Olga Mitronina

Soundtrack and mixing
Peter Van Laerhoven

Set construction
Manu Siebens, Klaartje Vermeulen, Dirk Stevens, Kasper Siebens

Mechanisms
Joris Festjens, Dirk Lauwers

Scale model
Ina Peeters, with the help of Puck Vonk, Rosa Fens, Thomas Dreezen

Design
Jelle Verryckt

Communication and production
Laura Fierens

Management
Kurt Lannoye

Administrative support
Jane Seynaeve

Co-productions
Het Zuidelijk Toneel, PACT Zollverein, Dublin Theatre Festival, Le CENTQUATRE-Paris, Brighton Festival, BIT Teatergarasje – House On Fire, Kunstenfestivaldesarts, Künstlerhaus Mousonturm Frankfurt am Main, Theaterfestival Boulevard, Onassis Cultural Centre

In collaboration with
deSingel

Support
Flemish government

BERLIN is an associated artist of Le CENTQUATRE-Paris

Acknowledgements
Wim Bervoets, Brice Maire, Lux Lumen, Els De Bodt, Pascal Rueff, Morgan Touzé, Christophe Ruetsch, Isabelle Grynberg, Nadine Malfait, Natalie Schrauwen, Katleen Treier, Piet Menu, Anthe and Ama Oda Baele, Remi and Ilias Degryse

Presentation in the scope of the Imagine 2020 network funded by the Creative Europe Programme of the European Union

 

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